Exhibitions

Gatherings - Madelynn Green

20 Jul - 10 Aug 2020 Online Exhibitions Referencing the visual language of film photography, Madelynn Green’s paintings function as the physical embodiments of underrepresented histories, in addition to visually engendering social and political concepts. 'Gatherings' includes a series of paintings addressing the collective and emotional aspects of crowds. These works further interrogate the formal qualities of crowds, in particular their composition and materiality; the positioning of figures inadvertently creates abstract forms. The paintings also address the subjectivity of the crowd over the individual. In the context of Covid-19, these works evoke a heightened appreciation for the personal and political utility of gatherings.

Crowds are marked by dynamic movement and rapid change. After culling through her own personal archive and researching videos of club scenes, Green became preoccupied with pausing the frenetic movements she observed and creating focused snapshots. When these scenes are immortalized in paint, contrary associations come to the forefront. Contemplation, insecurity, introspection, and desire are laid bare. The paintings are meditations on the communities and connections that arise from group settings. Many paintings depict crowds inside clubs and at parties. These are often generative spaces for mass culture, as well as important zones of self-affirmation for marginalised groups.

The interpersonal connections forged within crowds - whether through dance or conversation, are how ideas transfer from the individual to the public realm. While some scenes are imagined, others come from video references shot by Green herself, her family and also from discoveries in the archives such as Soul Train (1970's) and the New Dance Show (1990's). Green’s interest in group dynamics comes from her experience as a twin. The notion of “togetherness” shapes her worldview and sense of self. For her, the group is the natural default. Thus, a central interest for Green is how one situates themselves in relation to others. The act of looking at these paintings places the viewer within the crowd and allows them to ponder this question. Read more

Exhibitions

TGP HOLLAND PARK: Madelynn Green - Heartland

TGP NOTTING HILL: Asif Hoque - The American Loverboy

Marc Etherington - Everything will be A-O.K

TGP NOTTING HILL: Adrian Coleman - Citizens of Nowhere

TGP: HOLLAND PARK: James Bartolacci- Life Without Night

Dominic Musa - Unsettled Waters

Madeleine Bialke - Significant Other

TGP NOTTING HILL: Evie O'Connor - What Will Become of Us ?

Nick Hoover - Burning Red Sky

Cara Nahaul - Sunbeams and Windows

TGP HOLLAND PARK: Gabriella Sanchez - Rough Renderings of Sharp Images

Contemporary Domesticity

Aubrey Levinthal - Nightstand Paintings

Beach

Amy Lincoln - Seascapes

Johnny Izatt-Lowry - A Table, with Things On

Jake Sheiner - Scenes from my Quarantine

Ryan Nord Kitchen - 2020 Paintings

Polina Barskaya - Time Passing

Mikey Yates - Home Clothes

Eliot Greenwald - In Fact

Dora Dalila Cheffi - Imitating Equilibrium

TGP HOLLAND PARK: Nicky Nodjoumi - The New York Times Drawings 1996 - 1998

Lilian Martinez - Coral Caves

Singing a New Song - Nicky Nodjoumi

Life Without Night - James Bartolacci

Fake Tears - Corey Escoto

TGP HOLLAND PARK: Impossible Garden - Cara Nahaul

Pinoñes Mon Amour - Radamés 'Juni' Figueroa

Hilary Doyle - Metrapolis

Gatherings - Madelynn Green

Recurring Dreams - John Dilg

New Drawings by Nadia Ayari

whales - Craig Kucia

Domicile - Ashley Norwood Cooper

The Sameness of Every Day - Matthew F Fisher -

artgenève

Looking Backward, Moving Forward - Dominique Fung

After the Ice - Matthew F Fisher

8 Ways of Holding On - Nadia Ayari

artgenève

The Way Back - Maia Cruz Palileo

Every Day Was Yesterday - GaHee Park

1:54 Contemporary African Art Fair

Try to Smoke it: Curated by Holly Coulis

Dallas Art Fair

Dear, dear, dear - Maia Cruz Palileo

Follow The Crooked Path (Though It Be Longer) - Austin Eddy

Observable Universe - Matthew F Fisher

Robot Open Sesame - Yui Kugimiya

Untitled Miami

Mojave Pictures - Ryan Schneider

Natural Memory - John Dilg

Deeper and More Troublesome - Corey Escoto

Sunday - Bruno Pacheco

A Verdant Summer

Bread and Circuses - Hector Arce-Espasas

Sometimes - Fanny Tavastila

Dallas Art Fair

Art Dubai

Bricks - Nadia Ayari

Linea - Abdolreza Aminlari

You and Me - Nicky Nodjoumi

Untitled Miami

Present Tense - Zineb Sedira

EXPO Chicago

Current Times, Savage Times - Radamés "Juni" Figueroa

Missing Real - Daniele Genadry

Formal Relations

What Looks Back at Us - Fayçal Baghriche

Night and Day - Whitney Bedford

Guavas and Ferns - Maia Cruz Palileo

The Armory Show

Records for Uncertain Times - Lamia Joreige

The Story, Like All Stories, is Incomplete - Rania Bellou

Untitled Miami

Memorizing by Means of Observing - Mohammed Kazem

K Files - Tarek Al-Ghoussein

Didn't Start the Fire